Kate Chisholm

Going underground

Plus: a visit to Ai Weiwei’s subterranean studio in Berlin

issue 25 March 2017

When Wireless Nights hit the Radio 4 airwaves in the spring of 2012, I was not at all sure about Jarvis Cocker’s particular, not to say eccentric, manner of presentation, butting in, making his presence felt, never letting us forget that it’s his programme, he’s in charge. His coy comments were too self-conscious for my taste. He didn’t sound natural; his after-dark meanderings felt too contrived. Now I realise I had completely missed the point. Cocker’s deliberate mannerisms, his upside-down way of looking at things, his curiosity and desire to share with us his thoughts are all very much part of who he is, and once you get used to his style of delivery it all becomes very beguiling. When he invites us to join him as he delves ‘beneath the surface of what to the untrained eye or ear could appear to be just one more ordinary night on Planet Earth’, I no longer feel the urge to switch off but rather revel in its potential for pretentiousness.

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