Lloyd Evans Lloyd Evans

Godot Is a Woman will have you laughing all evening and arguing all night

Plus: a heartbreaking new play about dementia at the White Bear Theatre

Cara Withers, Josie Underwood, Jack Wakely are exceptional performers, working like a single comic organism in Godot Is a Woman. Image: Ali Wright 
issue 19 June 2021

Godot Is a Woman opens with three tramps standing on a bare stage beneath a solitary upright. This isn’t Samuel Beckett’s famous drama about a pair of vagrants, Vladimir and Estragon, who wait in vain for a mysterious visitor. This is a spoof in which a trio of actors (two female, one non-binary) seek a licence to perform the script that Beckett insisted must be played by male actors only. The upright prop is a telephone box and the thesps are trying to get through to the Beckett estate. They’re answered by a robotic female voice. ‘You are 9,124th in the call queue.’ A burst of inane lift music fills the air and the actors pass the time by performing a comic dance routine that lasts 15 minutes.

This is a high-risk strategy because a funny dance is always in danger of becoming tedious or repetitive. And the key joke, namely that the call queue and the time-wasting dance are a parody of the play itself, isn’t a particular strong idea.

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