God is everywhere, sometimes in strange guises, in Jonathan Franzen’s Crossroads

Twenty years ago The Corrections alerted a troubled world to the talents of Jonathan Franzen. Though cruel and funny and aggressively clever, the novel did more than display its author’s spiky brilliance. A stubborn moral core, in the person of the ailing patriarch of the Lambert family, and a tangled web of fierce emotion binding him and his wife and three children, gave it powerful resonance.