The anchoring memories of this novel go back to the second world war. That is where crucial people in the plot received their opportunities and their wounds. Less easy to fathom, for this reviewer anyway, was why most of the book seems to take place in the 1970s. Nothing much was done with this egregious decade: it was a given fact, an inexplicable datum of the plotting. I later discovered that the novel was begun at that time, which explains the matter externally, if not as it were from the inside out.
Storey’s own journey was famously from Wakefield to London, the rugby-playing, Slade-attending writer, composing books on the train journeys that represented the no-man’s land in which he negotiated his two forms of existence. But the life-awakening journey of his young narrator Richard in Thin-Ice Skater is the other way around. He travels out of the home and life of his foul-mouthed, big-shot, film-producer brother, to head up north.
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