Cosmo Landesman

Gloom and doom

Most British documentaries are dark and depressing, says Cosmo Landesman. But is this about to change?

issue 21 July 2012

A young American documentary film-maker recently said to me, ‘Do you want to know why no British documentary film-maker would ever make a film about something like the Diamond Jubilee celebrations? There was no blood! No violence! No crack babies! No tears! People were happy, and one thing British documentary film-makers hate is happy people and happy endings. If you want to get a doc made and shown in Britain, you gotta go for gloom and doom.’

Of course my American friend was exaggerating — but by how much? Think British documentary and what comes to mind? For me it’s Pete Postlethwaite wagging a finger and making apocalyptic warnings of ecological disaster in The Age of Stupid. Or it’s something terribly sad like Carol Morley’s Dreams of a Life, the story of a young black woman whose body was found in her council flat — three years after she had died.

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