In 2010, Brendan O’Neill suggested that Glastonbury had become an authoritarian, corporate pigpen. From the looks of things this year, nothing has changed. Here’s Brendan’s piece:
Most people, when they hear the word Glastonbury, think of mud, drugs, drunkenness, moshing, free love, the lighting up of spliffs, and generally harmless experimentation in a field. Well, they’re right about the mud. Yet far from being a site of hippyish self-exploration, the Glastonbury music festival has become a tightly regimented gathering of middle-class masochists who don’t mind being bossed around by nosey cops and kill-joy greens for three long days.
Glastonbury now resembles a countercultural concentration camp, complete with CCTV cameras and ‘watchtowers’ (their word, not mine), rather than a Woodstock-style attempt to escape ‘The Man’.
This month Glastonbury turns 40. Like all 40-year-olds, it’s having an identity crisis. Run by hippy-cum-businessman Michael Eavis, on his aptly named Worthy Farm, the first Glastonbury festival took place in 1970 and attracted 1,500 hippies.
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