Mark Glazebrook

Giorgione’s artistic poetry

Mark Glazebrook on a magnificent exhibition of work by ‘Big George’ in Vienna

issue 26 June 2004

Mark Glazebrook on a magnificent exhibition of work by ‘Big George’ in Vienna

Giorgione! A name to conjure with. Other names such as Vasari, Byron and Walter Pater have conjured with the Zorzi, Zorzo or Zorzon of contemporary documents, the exceptionally talented painter who died in his early thirties in 1510, the legendary Big George, the gifted musician and fabulous lover who came to Venice from Castelfranco, a large fortified village situated in a great broken plain at some distance from the Venetian Alps. His copses, glades, brooks and hills must surely have inspired the Giorgionesqe ideal of pastoral scenery. Now, more than 20 different living scholars are battling it out with each other in 14 essays and some 25 individual catalogue entries in the publication which goes with Myth and Enigma, the current Giorgione exhibition in Vienna, a show which began in Venice.

The whole experience is stimulating, tantalising and not unlikely to induce obsession.

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