Philip Hensher

Garbriel García Márquez has been ill-served by his sons

Posthumously published against the author’s wishes, Until August should not detract from Marquez’s best work – but it would have been better left as a curiosity in the archives

Gabriel García Márquez, photographed in Colombia in 1991. [Getty Images] 
issue 23 March 2024

I blame Kafka. When he died in 1924, the vast majority of his imaginative work remained unpublished, including three novels and a substantial number of remarkable short stories. He left instructions, however, for Max Brod, his literary executor, that all his unpublished work should be destroyed. Brod ignored this, and brought some classics of German literature into print after the author’s death. He sensibly concluded that if Kafka had been serious about wanting his work destroyed he wouldn’t have appointed Brod as literary executor in the first place.

Much of the story seems like something that floated into Márquez’s head and then drifted off

The case was a good one; but it has undoubtedly had some ugly consequences. Manuscripts have surfaced that their authors either made clear they didn’t want published or had simply left behind, often resulting in little enhancement to their reputations. Vladimir Nabokov’s The Original of Laura made very little impact when it finally appeared.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in