Lloyd Evans Lloyd Evans

Gandhi’s killer is more loveable than his victim: The Father and the Assassin reviewed

Plus: everyone in local government should see this play about Grenfell Tower (but they won’t)

Paul Bazely as Gandhi and Shubham as Nathuram Godse in The Father and the Assassin. Credit: Marc Brenner 
issue 11 June 2022

Dictating to the Estate is a piece of community theatre that explains why Grenfell Tower went up in flames on 14 June 2017. The abandoned block stands, like a cenotaph, a few minutes’ walk from the social club where the show is presented.

The local council never cared much for Grenfell’s 120 families. Plans to destroy the tower and expand the estate – with higher rents, of course – had long been under discussion. A one-bedroom flat in west London goes for half a million pounds so there were profits galore to be made. ‘A gold mine for the council,’ said one developer, ‘and they don’t even have to dig for gold.’ The block was administered by a TMO, or ‘tenant management organisation’, whose staff were as arrogant as Napoleon and as intelligent as the Tellytubbies. They bullied the residents over matters unrelated to fire safety. New boilers were installed and the TMO insisted that they be sited in hallways, not in kitchens.

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