Deborah Ross

Fury: the men blow stuff up, then Brad Pitt takes his top off

Deborah Ross found only one scene of any complexity

Brad Pitt with the crew of the Sherman tank, Fury [Getty Images / iStock] 
issue 25 October 2014

Fury is a second world war drama that plays with us viscerally and unsparingly — I think I saw a head being blown off; I think I saw a sliced-off face, flopping about — but is still just another second world war drama. That is, Americans good, Nazis bad, and a man doesn’t become a man until he has abandoned all mercy and learned how to kill. ‘It’s Saving Private Ryan, but with tanks,’ I heard someone say as I left the screening, and although I would never steal someone else’s opinion, it is Saving Private Ryan, but with tanks, and also sliced off faces. I added that last bit myself.

Written and directed by David Ayer (Training Day, End of Watch), this stars Brad Pitt as battle-hardened Sergeant Don ‘Wardaddy’ Collier who commands a Sherman tank. He is an interesting character at the outset — unsympathetic; falls apart when his men aren’t looking — but ultimately conforms as a regular hero by the end.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in