Thanks to Henry Williamson and Gavin Maxwell I have spent hours in the company of otters, though I have only seen two. The first was harried, fleeing towards us along a shoreline, apparently pursued by spirits. From The Otters’ Tale I now know that was a period, the late 1980s, when the otter was heading for British extinction. It was a young adult, menaced by hunger and the weather. The second otter, a decade ago, was one of a resurgent population, erupting out of the river Teifi, in Wales. A whiskered face popped out of the torrent and stared.
‘Otter!’ we shouted, delighted. The animal’s expression suggested ‘Humans!’ — but that is the danger of otters. The creature was a flourish of existence, bobbing in the rapids with the apparent joy of a child on a windy day. Otters might have been framed by nature to bring out the anthropo-
morphist in any who come close to them.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in