Full-blooded drama

The National Gallery really is a remarkable place. In addition to displaying its diverse and beautiful permanent collection in increasingly sympathetic and attractive ways, it continues to mount a string of temporary exhibitions of great interest and unobtrusive scholarship. Yet these loan shows are generally housed in a suite of cellar rooms oppressive to the spirit, while the vast book-and-merchandise shop is situated on the ground floor with ample access to natural light. Should it not be the other way round? Is it feared that sales would plummet if the shop were in the basement? I am only expressing the opinion of a considerable proportion of gallery-goers when I ask — is it too late to acknowledge the mistake and to swap round the shop and the exhibition halls? How amazing it would be to see Rubens’s great masterpieces in daylight, for example. The current show (though there might be conservation problems with the drawings) could only benefit from such exposure.