Nigel Warburton

From the wrestling ring to Plato’s Cave in one easy throw

Multiple layers of appearance and reality can be found in the notorious ‘Montreal Screwjob’ incident of 1997

Bret ‘Hitman’ Hart, who lost his title as WWF World Heavyweight Champion in the Montreal Screwjob incident. Credit: Alamy 
issue 16 May 2020

One of the delights of going to stay with my grandparents in the 1970s was that my grandmother was a fan of the wrestling on ITV’s World of Sport. My parents wouldn’t ever watch it. It was fixed — a pantomime. But my grandmother seemed oblivious. It was the only sport she followed, apart from Wimbledon. I don’t think she realised it was scripted.

I was transfixed by the exaggerated antics of the ‘Dulwich Destroyer’, ‘The Man You Love to Hate’, Mick McManus, who played it for the boos and whose vulnerability (as everyone knew) was his ears (‘Not the ears, not the ears’), and by the sheer bulk of Giant Haystacks — 6ft 11 and allegedly weighing in at 45 stone — a real giant from a Grimms fairy tale it seemed. Dickie Davies’s deadpan commentary played along with the ruse, as if these were real competitions, with real winners, rather than the choreographed slapstick entertainments between villains and blue-eyed stooges in tight-fitting trunks most of us knew them to be.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in