If you study History of Art, people generally assume you’re a nice, conscientious, plummy-voiced girl. Sometimes, people are right. It is the only subject I can think of that requires a student to describe what is already printed on the exam sheet. ‘In the foreground of the picture is a tree — in full leaf! — and on the horizon, a tower.’ It feels a little basic. But with art history podcasts description is everything. And to do it well is a real art in itself.
The presenters of the Art Newspaper’s The Week in Art podcast were superb last week in their exploration of a portrait by William Hogarth. Considered one of his finest, the painting hangs in the Foundling Museum in London and shows a flushed-cheeked Thomas Coram (1668–1751), founder of the hospital for abandoned children.
Coram was in many ways the dream subject for Hogarth, and thus for the imaginative listener, too.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in