A severed head, argues Frances Larson in her sprightly new book, is ‘simultaneously a person and a thing… an apparently impossible duality… an intense incongruity’. History is ‘littered’ with such heads. Pilgrims visit them: the heads of St Peter and St Paul, for example, are thought to be in the high altar of the Basilica of St John Lateran. Artists are inspired by them, especially the erotically charged ones in the stories of Salome and Judith. Medical students dissect them, thereby acquiring the ‘necessary inhumanity’ of their profession. And Americans pay $50,000 to have their own heads cut off — cryonicists prefer the term ‘cephalic isolation’ — and preserved in thermos flasks of liquid nitrogen. ‘Could decapitation,’ asks Larson, ‘be just another stage in a person’s life?’
She begins her story at the Pitt Rivers Museum in Oxford (of which she has co-written a history), where shrunken heads — tsantsas — are displayed in the ‘treatment of dead enemies’ section.
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