Molly Guinness

From Göring to Hemingway, via Coco Chanel – the dark glamour of the Paris Ritz at war

A review of The Hotel on Place Vendôme, by Tilar J. Mazzeo. A prism on the German occupation that gathers all of the old Paris icons under one roof

Coco Chanel (Keystone/Hulton Archive/Getty) 
issue 19 April 2014

In Midnight in Paris, Woody Allen did a good job of showing how foolish it is to be obsessed by previous generations who’ve passed through Paris. Going back through the years, each group of geniuses turns out to be just as drunk and silly as the next, albeit with longer cigarette holders. Tilar Mazzeo, who has written biographies of Coco Chanel and the woman behind Veuve Clicquot, has done a similar service with this history of the Ritz. Focusing on the hotel is partly a device to write about the German occupation, but it’s mainly a way of gathering all the old Paris icons under one roof. Marcel Proust, Ernest Hemingway, Marlene Dietrich and Coco Chanel all drank cocktails there, and no one comes out of it well.

Hemingway was too interested in his own legend to make a reliable war correspondent. He went rogue, taking a small band of fighters to try and kill some Germans, and then to commandeer the Ritz.

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