Andrew Taylor

Forget Poirot, Holmes or Marlowe: there is nothing urgent or even logical about Chilean detective work

In a review of The Neruda Case by Roberto Ampuero, Cayetano Brulé takes his time digging deep into his client’s past

issue 22 November 2014

If nothing else, a private investigator who has learned his trade from the works of Simenon stands out from the crowd. Cayetano Brulé, the hero of The Neruda Case, sets himself a course of Maigret novels on the advice of his first client, Pablo Neruda. ‘If poetry transports us to the heavens,’ the aged poet remarks, ‘crime novels plunge you into life the way it really is.’

Brulé, a Cuban exile in Chile, has now appeared in six detective novels by Roberto Ampuero, a Chilean professor of creative writing at the University of Iowa. The Neruda Case is the most recent; it is also the first in the fictional chronology of the series and the first to be translated into English.

The novel is set in 1973, when Brulé was a young man unhappily married to a fashionably socialist socialite, though the narrative is topped and tailed with chapters showing him looking back on the start of his career from the vantage point of middle age.

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