Archie Rice urged his audience not to applaud too loudly: ‘It’s an old house. A very old house.’ This may explain why The Entertainer (Archie in the lead) has not been revived in the West End. Too warm a reception might make the theatre fall down. Now all these fragile old houses have found an unlikely friend in Tessa Jowell, who wants to pull £125 million out of the proceeds of the National Lottery to keep them going. In its earlier days the Department for Culture, Media and Sport, which is her fiefdom, was known as the Ministry of Free Tickets. Since then it has had a modish makeover and is now the Department of Access and Outreach. Worldly-wise theatre managements will take the hint and trim their acts accordingly, just as worldly-wise museums have gone all relevant and interactive. Their boring old exhibits can be earmarked for de-accessioning — the word, if such it can be called, that museum curators use to mean selling or dumping.
Christopher Fildes
Forget about heritage, that’s been done — unless it’s a West End theatre
Forget about heritage, that’s been done — unless it’s a West End theatre
issue 11 December 2004
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