Martha Gellhorn, an American who lost faith in America, was one of the most important war-reporters of the 20th century. She was not interested in briefings from the top brass, though she sometimes used her blonde charm to get the top brass to fly her where she needed to go. What she did, in her own words, was to ‘bear witness’ to what war did to innocent people, especially children. She found her stories on the street and in the orphanages. Her style was pared-down and succinct, powered by outrage.
She believed in the ultimate supremacy of goodness and justice until she went into Dachau. Then, seeing what she saw, she gave up hope. Caroline Moorehead makes Dachau the hinge and the determining event of her intelligent and sensitive biography. Gellhorn never gave up, but after Dachau it was pure anger, not optimism, which fuelled her.
I am not without bias.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in