Lloyd Evans Lloyd Evans

Flawless: Accidental Death of an Anarchist, at the Lyric Hammersmith, reviewed

Plus: at the Park Theatre a disaffected, blue-collar citizen speaks out

A tour de force: Daniel Rigby as the Maniac in Accidental Death of an Anarchist. Credit: Helen Murray 
issue 01 April 2023

Accidental Death of an Anarchist has been performed all over the world with varying degrees of success. Written by Dario Fo and his wife Franca Rame, the script was inspired by an actual case of police brutality in 1969 when a train driver with anarchist leanings was found dead beneath the open window of a fourth-floor interrogation room. Official reports described the fatality as ‘accidental’. The plot structure is borrowed from Gogol’s The Government Inspector. A senior civil servant arrives in an isolated town and exposes the corrupt and self-serving ways of the townsfolk. After he departs, the civil servant is exposed as an imposter.

Here, the authority figure is a mercurial exhibitionist, the Maniac, whom we first meet during a police interview. He describes himself as a born diva, a luvvie-from-hell, a non-stop performer who treats all human interactions like an improvised sketch show. His business card, he tells the cops, is a dramatic script which falsely claims that he graduated from Cambridge, but this untruth is permissible to anyone who accepts that business cards are works of fiction.

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