Like a lot of people, Olivia Laing came to New York to join a lover. Like a lot of people, she soon became unjoined. She stopped eating and drifted, moved from sublet to sublet, wandered the streets in a desperate daze. She craved intimacy and shied away from it, was painfully self-conscious but also anxious that she was in danger of vanishing. What does loneliness feel like? It feels, she says, ‘like being hungry when everyone around you is readying for a feast. It feels shameful and alarming, and over time these feelings radiate outwards, making the lonely person increasingly isolated, increasingly estranged.’
The Lonely City is memoir, art criticism and a portrait of the Big Apple seen through the eyes of an accidental flâneuse. Laing, who is careful to distinguish between being alone and being lonely, is sensitive to pain. She mentions that after her mother came out of the closet in the 1980s they were driven out of the coastal village where she’d grown up.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in