Richard Bratby

Fast cars, minimalist design and en suite bathrooms: the real Rachmaninoff

Visit the composer's starkly modern Swiss home and you'll see a very different side to the last of the romantics

Sergei Rachmaninoff at the Steinway piano that you can still see – and if you ask politely, play – in the Villa Senar, built to his specifications between 1931-34. Credit: Archiv Lucerne Festival, Luzern 
issue 02 September 2023

The train from Zurich to Lucerne tips you out right by the lakeside, practically on the steamboat piers. A white paddle-steamer takes you out of the city, past leafy slopes and expensive-looking mansions. Tribschen, where Wagner wrote the ‘Siegfried Idyll’, slides away to the right as you head out across the main arm of the lake. At the foot of Mount Rigi, shortly before the steamer makes its whistle-stop at the lakeside village of Hertenstein, is a promontory where – if the sun is coming from the west – a yellow-coloured cube shines among the trees. This is the house that Sergei Rachmaninoff built between 1931 and 1934: Villa Senar, his last attempt to make a home outside Russia in Europe.

After concerts in Paris he would oust his chauffeur and set speed records back to Lucerne

It isn’t what you expect; at least, not if your idea of Rachmaninoff is shaped by the lushness of his music.

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