Laura Gascoigne

Fascinating insight into the mind of Michelangelo

In the drawings from the artist's last decade, which are at the heart of a new British Museum show, the emphasis is on frailty rather than power

Study for the ‘Last Judgment’, c.1534–36, by Michelangelo Buonarroti. © The Trustees of the British Museum 
issue 11 May 2024

You’re pushing 60 and an important patron asks you to repeat an artistic feat you accomplished in your thirties. There’s nothing more daunting than having to compete with your younger self, but the patron is the Pope. How can you say no?

Besides, it’s an excuse to get away from Florence, where your work for the republicans who expelled the Medici has become an embarrassment since their return. So you tell Pope Clement VII that, yes, you will move to Rome and paint a Last Judgment on the altar wall of the Sistine Chapel.

Bladder stones, colic, backache, gout – Michelangelo had them all and moaned about them in letters

Contemplating this monumental fresco, it’s hard to believe that it was the work of a man already complaining of old age, but Michelangelo (1475-1564) was an artistic titan. That’s what makes the British Museum’s new show so special: by focusing on his last three decades, it demonstrates that even titans age.

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