Laura Gascoigne

Fascinating forgeries: Art and Artifice – Fakes from the Collection, at the Courtauld, reviewed

How is it that a painting that was worth millions yesterday can be worth nothing today, when the picture has not changed?

‘Triptych with Virgin and Child with Saints’ by Icilio Federico Joni (1866-1946). Credit: The Courtauld, London (Samuel Courtauld Trust)

Already a subscriber? Log in

This article is for subscribers only

Get a free bottle of Johnnie Walker Black Label when you subscribe to The Spectator for just £12 in our Black Friday sale

Offer extended due to popular demand: ${days} days ${hours} hrs ${minutes} mins ${seconds} secs
  • Free bottle of Johnnie Walker Black Label whisky, worth £30
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate

Comments are subscriber only. Subscribe to The Spectator today.

Already a subscriber? Log in