Despite innovative work by younger writers, there remains a prominent strain in Irish literature of what we might call the ‘sad but nice’: tales of desperation elegantly unfolded, popularised by William Trevor and John McGahern and refined by Colm Tóibín and Mary Costello. A newcomer in this lane is Billy O’Callaghan, whose previous books have been so orgiastically praised by the Booker Prize winner and former literary editor of the Irish Times John Banville that I began to think O’Callaghan might be another of his pseudonyms.
And if there’s one feature in Irish novels that shouts louder — or with more forceful quietness — than others, it’s the family and its secrets. The driving principle behind O’Callaghan’s third novel is: ‘Without knowing who and where he comes from, a man is a mystery to himself.’ And it’s a personal project: Life Sentences traces his own family back to the 19th century through the voices of three ancestors.
Each person’s story centres on a decisive moment in their life.
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