Patrick Skene-Catling

Family divisions

Pryce-Jones’s memoir, Fault Lines, depicts an unhappy, complex family riven by snobbishness and materialism

(Photo: Getty) 
issue 02 January 2016

The geological title of this unhappy memoir is an apt metaphor for fissures in the relationships between individuals of David Pryce-Jones’s extended family. Emotionally and financially competitive but interdependent, benefactors and beneficiaries, Jews and gentiles of various sexual proclivities are depicted grinding away against each other like so many incompatible tectonic plates.

Pryce-Jones offers a candid expression of filial impiety for which Eton, Oxford and the Brigade of Guards surely cannot be entirely to blame, although it is true that education far from home, from an early age, has been known to piss children off, as they say. Young boys banished to boarding school may feel tormented by Oedipal yearnings and resentment of paternal indifference. David portrays his father, the late Alan Pryce-Jones, as a distinguished litterateur, a handsome, charming, talented, sociable, parasitical homosexual who, from time to time, played the part of a heterosexual for the sake of domestic convenience.

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