
Fay Weldon’s new book is told by Frances, Weldon’s imaginary sister — one she would have had if her mother had not had a miscarriage a few years after Weldon was born.
Fay Weldon’s new book is told by Frances, Weldon’s imaginary sister — one she would have had if her mother had not had a miscarriage a few years after Weldon was born. Frances steals a husband from Fay, becomes a successful novelist and finds herself in a changed world in 2013. Oh, and Frances is an unreliable narrator.
Eighty-year-old Frances starts writing the book as bailiffs pound on her door and she hides on the stairs with her grandson. As she looks back on 50 years in Chalcot Crescent, she analyses the motley family she has collected, and as she writes, events of national importance start unfolding in the room above her.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in