Martin Gayford

Face time

The new show at the National Portrait Gallery suggests the great artist was exploiting his sitters – but in doing so he created fascinating and hugely entertaining paintings

issue 22 October 2016

As a chat-up line it was at least unusual. On 8 January 1927, a 46-year-old man approached a young woman outside the Galeries Lafayette department store in Paris and announced, ‘You have an interesting face; I would like to do your portrait. I feel we are going to do great things together.’ The approach was successful, even though the woman in question, Marie-Thérèse Walter, was bewildered by his subsequent announcement, ‘I am Picasso!’, since she had never heard of the famous artist.

Undeniably, great works did result from this chance meeting — as well as an intense affair, which lasted for years. Several are included in the splendid Picasso Portraits exhibition at the NPG. Marie-Thérèse appears in multiple guises: as a majestic bronze head from 1931, a tenderly intimate pencil drawing of 1935, as the subject of ‘Woman in an Armchair’, a large oil from 1932, with colours borrowed from Matisse, in which her anatomy is rearranged so that her head is in profile but not her torso.

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