Richard Bratby

Everything hits the spot: Royal Opera’s Elektra reviewed

Plus: Rattle's Jenufa at the Barbican showed why London desperately needs a modern concert hall

As good as it gets: Nina Stemme (Elektra) and Karita Mattila (Klytämnestra) in Christof Loy's Elektra at the Royal Opera. Image: © ROH 2024 / Tristram Kenton
  • Comments

  • Elektra

    Royal Opera House, in rep until 30 January

  • Jenufa

    Barbican Hall

Already a subscriber? Log in

This article is for subscribers only

Get a free bottle of Johnnie Walker Black Label when you subscribe to The Spectator for just £12 in our Black Friday sale

  • Free bottle of Johnnie Walker Black Label whisky, worth £30
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Ian Williams

The paper mills helping China commit scientific fraud

Few people embody the ideal of scientific excellence as much as Albert Einstein. Each year a Berlin-based foundation bearing his name hands out awards for the sort of research that might have made him proud. This week, the individual prize went to Elisabeth Bik, not a conventional boffin, but a sleuth – a dogged Dutch

Also in Arts Reviews

Also by Richard Bratby

Latest

Comments

Black Friday sale: Get 10 weeks for just $1

Unlimited access to the The Spectator, online and via the app

Already a subscriber? Log in