This is an extraordinarily compelling novel for one in which nothing really happens but everything changes. Sara Baume’s narrator is Frankie, a 26-year-old art school graduate, who has fled Dublin to live in her dead grandmother’s rural bungalow. What happened to her ‘started with the smelling of carpet’ in her bedsit; she feels such a failure that she ‘can’t even do mental illness properly’. It is all ‘because of nothing… because there’s nothing right with me. Because I cannot fucking help it.’ Over the course of part of a year, she acquires a bicycle from a born-again Christian, allows her father to mow the lawn, takes care of a guinea-pig for her sister, and tries to summon the ghost of her grandmother. She also thinks a lot about art — the text is punctuated with Frankie’s interrogations of herself (‘Works about the Sea, I test myself’, ‘Works about Lying, I test myself’) — and with her own art project, photographing roadkill.
Stuart Kelly
Everyday unhappiness
Almost every page of A Line Made By Walking has a sentence that I’d gladly record and remember, says Stuart Kelly
issue 18 February 2017
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in