Tokyo
The late A.A. Gill, in his notorious ‘Mad in Japan’ essay, concluded that the only way you could make sense of Tokyo was to think of it as a vast open-air lunatic asylum, with inmates instead of residents. Gill would have loved Arisa.
I don’t think I’ve ever encountered anything more stereotypically Japanese than Arisa. She’s a multilingual robot concierge at Nishi-Shinjuku station in central Tokyo, one of the thousands of new automatons installed in the city ahead of the Olympics next month. She has a rather creepy Doctor Who look to her — she could be Davros’s girlfriend — and she’s there to assist tourists. I considered testing Arisa by asking how to get to the famous Budokan concert hall, in the hope that she’d answer ‘Practise!’; but I’m not sure she’s programmed for humour.
The eccentricity of Japan is all-enveloping and inescapable: the frighteningly shrill screamed chorus of ‘Welcome’ whenever you enter a shop; the bizarre Japanese–English on packaging and billboards, hastily ‘translated’, presumably by non-native speakers, and apparently never checked.
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