Stephen Bayley

Eurovision

The museum has done an inspiring job in repurposing some of its great marvels for its new post-Schengen galleries

issue 09 January 2016

Before cheap flights, trains were the economical way to discover Europe and its foibles. Personally, I enjoyed the old fuss at border crossings. By the time I was 18, I had memorised those warning notices in the carriages: Nicht hinauslehnen; Defense de se pencher au-dehors; E pericoloso sporgersi.

Those three different ways of saying ‘don’t stick your head out the window’, one bossy, the other pedantic, another gently pleading, summarised the nice subtleties of national borders that were philosophical as well as political.

Europe is a marvel. Its busy inhabitants discovered private property, social mobility, romantic love, democracy, secularism, antiquarianism, nationhood, industry, capitalism, technology, domesticity, privacy, vanity, revolution, modernism, exploration and self-expression.

To communicate their beliefs, to give form to their values, Europeans created images and objects of great sophistication. Many of these later became known as ‘art’, adding further levels of richness and meaning. But because Europeans also invented aggressive colonialism, the continent’s values are under attack. And not only from the historically downtrodden and exploited. Expressing his concern at the muddle of contemporary European identity, Kissinger asked, ‘If I want to speak to Europe, who do I call?’

Tapestry - The Art of War, Judocus de Vos
Tapestry – The Art of War, Judocus de Vos

So with nice didactic appropriateness, the V&A opened its new European galleries at the end of last year. Arrive at the front door and you will be told ‘Turn left for Europe’, but that’s practical guidance, not a political directive. ZMMA architects has stripped back an unloved and gloomy part of the museum, ripping out crapola Ministry of Works suspended ceilings and exposing parts of Sir Aston Webb’s imperious original while adding new finishes in bronze, walnut, stone and leather. Clarity has replaced obscurity. With these sumptuous effects and coruscating display cabinets meticulously crafted by hyper-tech German Übermenschen, the total effect is a little like sitting in an S-Class Mercedes, that sovereign contemporary symbol of European authority in matters of luxury and technology.

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