Giannandrea Poesio

European postmodern dance can be just as boring as American postmodern dance

No amount of mime, dance, acrobatics or contortionism can hide the fact that Tabac Rouge at Sadler’s Wells Theatre has no central idea

An upmarket panto with top-quality jokes and strong tunes: Jordy, Simon and Louis [Getty Images/Shutterstock/iStock/Alamy] 
issue 05 April 2014

What’s in a definition? As far as theatre dance is concerned, quite a lot. Labelling — and often labelling for the mere sake of it — is integral to our dance culture. Take, for instance, the various A-level dance syllabuses, the curricula of most dance-studies departments and, most of all, those dance-history manuals that slavishly perpetuate simplistically formulated principles and equations.

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