It was a daringly original thing to do. To write a play where the heroine stays silent for most of the time. And the drama’s creator, Anthony Minghella, cleverly conceals her reason for doing so until the very last sentence. I can remember listening to Cigarettes and Chocolate when it was first broadcast back in 1988. It sounded so different, so strange, and still does after almost 20 years. Radio Four repeated it on Saturday afternoon as part of a short season (shared with Radio Three) to celebrate the work of Minghella, who died in March aged just 54.
The play (starring a very youthful-sounding Bill Nighy and Juliet Stevenson) begins with everyone leaving messages on Gemma’s answerphone in the hope that at some point she will pick up the receiver and talk to them. But she resists the temptation, withdrawing utterly from her circle, pretending not to hear or take in what they are telling her, and turning instead for solace to music, in the hope of finding something profound within the harmonies of Bach’s St Matthew Passion. But of course her wilful silence provokes everyone around her into verbal diarrhoea, especially Rob, her none-too-reliable lover (no prizes for guessing who took that role), and her friend Lorna (played by Stevenson), who has been having an affair with Rob. Not until the very end do we hear from Gemma, who we discover has decided to give up talking for Lent (‘Last year it was cigarettes. The year before chocolate. But this is the best’). She has chosen to escape into silence, to start looking for what is within that silence, to realise just how words have become our first punishment, a Babel, an excuse for not thinking.
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