Michael Hann

Epic prog rock without the widdly-woo solos: Mogwai at the Tramway reviewed

Plus: quietly, over a decade, the Staves have become one of our best bands

Mogwai at the Tramway, Glasgow, in which the only stage theatrics saw bassist Dominic Aitchison move his right foot from a 35° to a 45° angle 
issue 20 February 2021

You very possibly know the music of the Glaswegian band Mogwai, even if you don’t think you do. You might well have not listened to a note of their ten studio albums, their three live albums, or their four compilations. You may never have seen one of their pulverisingly loud live shows, or heard them on BBC 6 Music, their natural home. But you may well have heard them on TV, either as background music, or on one of their commissioned soundtracks — seven of them now, including the current Sky Atlantic mob series ZeroZeroZero.

It’s hardly surprising that one of their soundtracks was for the French TV show Les Revenants, about people coming back from the dead with ambiguous intentions, since virtually all their music — band albums or soundtracks — sounds as though it were designed to accompany images of people coming back from the dead with ambiguous intentions.

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