Deborah Ross

Epic, immersive and tiresomely long: Killers of the Flower Moon reviewed

Scorsese's latest contains gripping performances, lush cinematography and a superbly clever end – but it does drag

The Osage Indians became the richest people per capita in the world: Lily Gladstone (centre) as Mollie Burkhart in Killers of the Flower Moon  
issue 21 October 2023

Martin Scorsese’s Killers of the Flower Moon is a Western crime drama that runs to three-and-a-half hours. (Sit on that, Oppenheimer!) But which is it: an epic masterpiece? Or just very, very tiresomely long? There are certainly pacing issues, and things that needed further explanation – there is no hand-holding. That said, the running time does allow for world-building, and it builds a world so engrossing that when I came out of the cinema onto the high street it was weird to see a Superdrug and Costa Coffee rather than dusty tracks and horses and vast landscapes beset by oil derricks. So I guess it’s epic and also tiresomely long. Does that help?

This isn’t a thriller. Its heft is in the moments that take place between the main plot points

Adapted from a book by David Grann, the film is based on a true story – the Osage Indian murders – and a period in American history that has been recorded but never dramatically explored, which is remarkable as it’s so astonishing.

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