Lewis Jones

Enjoy gin but don’t read books? Or read them only while drinking gin? This is the book for you

A review of Gin Glorious Gin, by Olivia Williams. A diverting, if not remotely scholarly, history that charts the social ascent of this spirit, from dram shop to the Queen Mother’s handbag

‘Some find their death by swords and bullets; and some by fluids down the gullet’. Thomas Rowlandson’s illustration of ‘The English Dance of Death’ by William Combe, 1815 — a satire on the evils of drinking gin [Getty Images/Alamy/iStock/Bridgeman] 
issue 06 September 2014

Gin Glorious Gin: How Mother’s Ruin Became the Spirit of London is a jaunty and diverting history of ‘a wonderful drink that embodies the best of London’, which is a judgment that would raise eyebrows even at closing time in Soho. It is not a remotely scholarly book. There are no notes or index, and on the second page Olivia Williams informs us that the first citation for gin in the OED is from 1714, as ‘an infamous liquor’. It’s actually from 1723, as ‘the infamous liquor’ — mere details, but still. I stopped checking things after that.

It’s essentially a book for people who enjoy gin but don’t necessarily read books, or read them only while drinking gin; the sort of book Gilbert and George might have liked to have handy in their celebrated video installation, as they looked out of their window in Spitalfields, listening to ‘Land of Hope and Glory’ in their suits, drinking gin and repeating, ‘Gordon’s makes us very, very drunk.’ Sometimes it reads as if written when the author herself was one over the eight, as when she refers to ‘the medieval ages’.

It is diverting, though. I had not known, for example, that the term ‘proofed’ derived from the naval practice of mixing spirits with gunpowder to see if it still catches light, which requires a minimum ABV of 57 per cent. Nor that Clarissa Dickson Wright was the only person in recent history to have suffered from quinine poisoning, after 12 years of consuming four pints of tonic water a day, mixed with two bottles of gin.

The tide of ‘blue ruin’ that engulfed the rookeries of St Giles in the 18th century was unleashed by William III’s liberalisation of gin-distilling in 1690, and documented in Hogarth’s Gin Lane and John Gay’s The Beggar’s Opera.

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