Dan Jones

English embroidery: the forgotten wonder of the medieval world

issue 28 September 2013
Think of an art at which the English have excelled and I doubt you would come up with the word ‘embroidery’. As I muttered when my agent asked whether I should like to make a film for BBC4 about the golden age of this forgotten but brilliant native art form: ‘Embroidery? What, like sewing?’ But no, not like sewing. Or, actually, only a little bit. During the ‘high’ Middle Ages, English embroidery was one of the most desired and costly art forms in Europe. It was known as opus anglicanum or ‘the work of the English’ — a generic name that instantly conjured notions of craftsmanship, beauty, luxury and expense in the minds of those who heard it. English embroidery was an art that combined extraordinary design, painstaking manual dexterity and some of the most costly raw materials (gold, silks and precious jewels) on earth. To lay hands on a really splendid piece would set you back as much as it would to commission Giotto.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in