The Old Country, an Alan Bennett play that dates back to 1977, covers much the same ground as An Englishman Abroad and A Question of Attribution. The central character is clearly based on one of the Cambridge Spies — in this case, a former Foreign Office official called Hilary, who is rotting away in the Soviet Union while pining for the comforts of home. This figure — the ruling-class dissident overcome with nostalgia for the country he’s betrayed — clearly fascinates Bennett. Does he see a parallel between his experience as a semi-closeted homosexual and the secret life of the Cambridge Spies? Or is this figure simply a handy way of dramatising Bennett’s own ambivalence about Britain — loathing it and loving it at the same time?
Unlike the Guy Burgess character in An Englishman Abroad, Hilary is a heterosexual. The reason for this appears to be so Bennett can contrast him with his brother-in-law, the less sympathetically drawn Duff.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in