Laura Gascoigne

Embarrassment of riches: South Asian Miniature Painting, at MK Gallery, reviewed

Many of the most exquisite contributions to this ambitious show can only be brought out of store once every ten years

‘A Rajput Sirdar’, c. 1914-15, by Samuel Fyzee-Rahamin. Tate: Presented by the State of Bhavnagar 1925  
issue 11 November 2023

In 1633, British merchants travelling east were issued with a royal command from Charles I: ‘As the king has considered that there is a great deal of learning fit to be known written in Arabic, and great scarcity of Arabic and Persian books in this country… every ship… at every voyage shall bring home an Arabic or Persian manuscript book, to be delivered to… the Archbishop of Canterbury, who shall dispose of them as the King shall think fit.’

One suspects that a hunger for learning wasn’t the whole story, and that the sight of the exquisite illustrations adorning books sent from India as diplomatic gifts had whetted Charles I’s collector’s appetite. He wasn’t alone. Over the next two-and-a-half centuries British collectors amassed tens of thousands of South Asian miniatures as gifts, acquisitions, commissions or loot. The majority filtered through to museums and libraries. Archbishop William Laud, the beneficiary of that royal command, deposited more than 250 volumes in the Bodleian; 350 rescued from the destruction of Lucknow royal library by East India Company troops in 1858 entered the collection of the British Museum to form the basis of its Department of Oriental Manuscripts.

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