Lloyd Evans Lloyd Evans

Edinburgh Festival is in ruins – but there’s one gem amid the rubble

The highlight of the Fringe's online programme is a witty satire about five boozy mums who meet on Zoom

Steve Taylor as Will Kemp and Lottie Walker as Nelly Power in J.J. Leppink's At the Ghostlight 
issue 29 August 2020

The virus has broken Edinburgh. The shattered remnants of the festival are visible on the internet. Here’s what happened. The international festival has been reduced to one filmed theatre commission and a handful of videoed musical offerings. The Fringe has survived but in a horribly mutilated form. Two of its most prestigious brands, the Pleasance and the Assembly Rooms (which host hundreds of shows between them every year), have pulled out entirely. They’re so well established that they’ll have no difficulty restarting in 12 months’ time. Another big name, the Gilded Balloon, is offering a few online shows and some recorded highlights from previous years.

Lesser-known outfits such as the-SpaceUK and Just the Tonic have mounted a large presence on the internet because they want to build up some goodwill and encourage this year’s performers to hire their rooms for August 2021. There’s no altruism in any of this. It’s not art for art’s sake.

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