Kate Chisholm

Eavesdropping for free

Amid the fear and drear of cuts, and yet more cuts, Radio 3 has offered its fans an adrenaline boost by suddenly announcing a huge increase in the number of ‘live’ performances on the station.

issue 26 February 2011

Amid the fear and drear of cuts, and yet more cuts, Radio 3 has offered its fans an adrenaline boost by suddenly announcing a huge increase in the number of ‘live’ performances on the station.

Amid the fear and drear of cuts, and yet more cuts, Radio 3 has offered its fans an adrenaline boost by suddenly announcing a huge increase in the number of ‘live’ performances on the station. ‘It’s not about cost,’ says Roger Wright, the controller, ‘it’s about the distinctiveness of the Radio 3 brand.’ By the middle of May, he promises, Performance on 3 will be truly live every weekday evening, and not just a specially recorded concert, broadcast a few nights, or weeks later. Instead of performing to just a couple of thousand in the Barbican, say, or the Usher Hall in Edinburgh, orchestras, wind bands, quartets and soloists will have an audience of a couple of million listeners who’ll be eavesdropping free of charge on some of the best music happenings around the country.

What a brilliant ruse.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in