Deborah Ross

Dystopian love STOR.E

WALL.E (U)

issue 19 July 2008

WALL.E, the latest CGI animation from Pixar in collaboration with Disney, has already been hailed as a ‘modern masterpiece’ — in America, at least — but I’m not so sure. It has a cracking, enthralling, wonderfully dystopian first half, but after that it appears mostly concerned with hurtling towards one of those predictable endings that are just too CUTES·E (hey, anyone can interpunct, you know) and DISN·E (see?) for words. WALL·E is exceptionally good, just as Toy Story was, and The Incredibles, but not Cars or Ratatouille — too heavy-handed — but a masterpiece? I’m thinking a ‘masterpiece’ should ultimately take you somewhere surprising, somewhere you didn’t expect, into something new, but I could be wrong, just as I am wrong about most things, although, thinking about it, if I’m wrong about that, then I’m actually right. WHOOP·E!

WALL·E is set in 2700 on a litter-strewn earth abandoned by humans.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in