Juno and the Paycock is a slice of documentary realism from the earliest years of the Irish Free State. The skint Boyle family are living like a gang of hobbits in the leprotic ruins of a grand Dublin townhouse. The paint blisters and peels. Diseased mortar crumbles into scabby flakes. The plaster-work centrepiece on the ceiling is like a charred meringue the size of a cartwheel. It’s grim. Money’s tight, food is scarce. Everyone’s depressed. There’s no work. The pride of the family, young John Boyle, would probably give his right arm to get a job if it hadn’t been blown off during the civil war.
Then a glimmer of hope. Cap’n Jack Boyle inherits a small fortune from a forgotten cousin. Hooray! The happy times are here. The Boyles go bananas. Well, sort of. They hire a carpenter to refurbish one of their exploding armchairs. And they buy a nice new table as well.
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