Roger Ebert believes not, and that its use in films is an annoyance and a distraction
Has it really come to this? I read in Variety, the film industry journal, that ‘Mark Thomas of Elsinore Films is producing a 3-D musical Hamlet targeting the Harry Potter and High School Musical market’. I am not concerned for Hamlet, which has been kneaded into so many preposterous shapes and survived. What horrifies me is the prospect of seeing the film in 3-D. Variety helpfully explains: ‘Hamlet lends itself to a 3-D treatment. The producers hope to include a ghost that hovers in front of the audience’s eyes, cannon fire that flies into the auditorium and a sword fight that appears to happen all around viewers.’ Yes, and no doubt Yorick’s skull thrust into our faces.
The 3-D process is an abomination that has died many deaths. It failed in the 1950s as a novelty, and again in the 1970s as a device to breathe new life into exhausted franchises.
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