So I Have Thought of You: The Letters of Penelope Fitzgerald, edited by Terence Dooley
‘I can’t remember whether you said you liked Barbara Pym,’ Penelope Fitzgerald wrote to an old school friend around 1980, ‘but am sending Quartet in Autumn in case you haven’t got it, otherwise it can go to the Mothers’ Union Xmas sale. I do like her very much, the incidents look so trivial that there’s nothing in them and then you suddenly realise how much she’s said.’ The recommendation is typical in its lighthandedness and could also be mistaken for a fair summary of Fitzgerald’s own fiction at that time. But her work went further and deeper than Pym’s.
By then, she had written four more or less autobiographical novels, including the Booker-winning Offshore, about lives unravelling amid the tidal flux of the 1950s houseboat community in Battersea Reach. She was at work on her very funny next one, At Freddie’s, based on a period when she taught RE at the Italia Conti stage school.
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