Although he was the leading portrait painter of Regency England, Thomas Lawrence (1769–1830) has somehow slipped beneath the catch-net of modern public recognition.
Although he was the leading portrait painter of Regency England, Thomas Lawrence (1769–1830) has somehow slipped beneath the catch-net of modern public recognition. He was the son of a Bristol innkeeper, who moved with his family to Devizes in 1773 to take over the Black Bear public house, and by 1780 young Lawrence was charming all and sundry with what Fanny Burney called ‘his astonishing skill in drawing’. His precocious talent came in handy when his father was declared bankrupt and Lawrence became the family breadwinner with his pencil profiles and pastels. By 1786 he had begun to work in oils and moved to London the following year. He was almost entirely self-taught, building successfully on innate skills of eye and hand, and an ability to take risks.
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