Graeme Thomson

Meet Dion, one of the last living links to the earliest days of rock ’n’ roll

Doo-wop’s elder statesman on Buddy Holly, Dylan and King David

A rough-around-the-edges Italian from the Bronx, Dion (pictured here in 1960) headed the first wave of smart-assed tough-talking urban singers (RB/Redferns) 
issue 30 May 2020

Only two of the Beatles’ pop contemporaries are depicted on the cover of Sgt. Pepper’s Lonely Hearts Club Band. One is Bob Dylan. The other is Dion DiMucci. In a pleasing third-act twist, Dylan contributes the liner notes to Dion’s new album Blues With Friends — an act of deference that the recipient is still processing. ‘I asked him, I didn’t know if he had the time, but he sent me back those paragraphs and said that I knew how to write a song.’ He whistles. ‘That’s from a Nobel Prize winner. I thought, I’ll take it, I’ll take it!’

So he should. Dion — like Kylie, a single moniker suffices — is one of the last living links to the early days of street-corner rock ’n’ roll. A rough-around-the-edges Italian–American from the Bronx, he headed the first wave of smart-assed tough–talking urban singers. As the front man of vocal quartet Dion and the Belmonts, he enjoyed huge success in the late 1950s with doo-wop perennials ‘Teenager in Love’ and ‘Where or When’.

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