‘You can hear pretty clearly the sound of one of the helicopters and you can see it in the darkness,’ yelled James Reynolds over the noise of helicopters, police sirens, vehicles on the move. It was 8.10 a.m., the Today programme on the morning after the fatal Airbus A320 crash in southern France last week. Reynolds, a fine reporter, had been sent off to the crash site for an on-the-spot report, ‘live’ action, high-octane drama, tension so taut it’s almost visible. ‘I can see a convoy of police vehicles coming up the road with blue sirens,’ he continued. ‘There goes the police helicopter…’ Huge noise of rotors whirring. ‘It’s almost passing overhead.’ No doubt about that as the noise boomed around the kitchen. ‘I can see a red and a white light flashing. And that may be the last helicopter of the night. The dark has stopped the operation.’
This was broadcast at breakfast time, morning, sun blazing outside, darkness long banished.
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