Indiana Jones and the Dial of Destiny is the fifth and final film in the franchise so it’s Harrison Ford’s last go at cracking the bullwhip as either the world’s greatest archaeologist or the world’s greatest plunderer, depending on where you are coming from.
Ford is now 80 but they still make him appear to climb rock faces, jump between buildings, punch underwater eels in the face and gallop a horse through the New York subway – and there is no doubt about it: he could pluck the still-beating heart from your chest if he was of a mind, so steer clear and never grab the stool next to him in Pret. (I wonder if Ford ever beseeched on behalf of his character: ‘Can’t he just do Wordle and watch Homes Under the Hammer for a morning?’ Perhaps if he agreed to punch three more eels in the face first and race a tuk-tuk through the labyrinthine back streets of Tangiers, they’d think about it.)
This is the first of the films not directed by Spielberg – James Mangold is at the helm – and I was hoping it would have something to say about ageing and mortality or even send itself up in some clever way, but no such luck.
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